“Play It Once more, Sam” started on the Broadway stage in 1969, with Mr. Roberts, Mr. Allen and Ms. Keaton (and Jerry Lacy because the spirit of Humphrey Bogart) all enjoying the roles they’d play on movie. Regardless of faint-praise critiques, the present ran for greater than a 12 months, and Mr. Roberts acquired a Tony Award nomination for finest featured actor in a play.
He had already been nominated for a Tony the 12 months earlier than, for finest actor in a musical, for his efficiency in “How Now, Dow Jones.” Mr. Barnes of The Instances hated the present, a musical comedy a couple of Wall Avenue romance, however liked Mr. Roberts, whom he described as a “bundle of expertise” with “an aggressively untamed terrier face and eyebrows with unbiased suspension.”
That was an enchancment over what one other Instances critic, Walter Kerr, had mentioned of an earlier Roberts efficiency in “Don’t Drink the Water” (1966), a comedy about an envoy’s son with severe habits issues. It was Mr. Roberts’s first collaboration with Mr. Allen, who wrote it. “Mildly participating,” Mr. Kerr shrugged.
The stage was a welcoming dwelling for Mr. Roberts, decade after decade. There was London, the place he starred with Betty Buckley within the musical “Guarantees, Guarantees” (1969). There was regional theater, the place he appeared in “Follies” (1998) on the Paper Mill Playhouse in New Jersey. And there was Broadway, the place he took on some two dozen roles, largely comedian and musical.
He was praised as “urbanely silly” by Mr. Barnes when he performed a downwardly cell architect in Alan Ayckbourn’s comedy “Absurd Individual Singular” (1974). He was a theater critic in a 1986 revival of “Arsenic and Outdated Lace” and a retired Higher West Facet physician and annoyingly noble husband in Charles Busch’s “The Story of the Allergist’s Spouse” (2000). Ben Brantley of The Instances, reviewing that play, known as Mr. Roberts “an skilled in resonant underplaying.”
Mr. Roberts had earlier been a stockbroker accused of insider buying and selling in “Doubles” (1985), a comic book drama about midlife crises at a Connecticut tennis membership. Diving deep into drama, he performed the compassionate Dr. Dorn in Chekhov’s “The Seagull” (1992).