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A soothing time at house turns menacing on this scene from the Brazilian drama “I’m Nonetheless Right here.”
The sequence begins with Rubens Paiva (Selton Mello), a former congressman, taking part in a recreation along with his spouse, Eunice (Fernanda Torres). However they’re interrupted by the navy police, who’ve arrived to take Rubens in for what they are saying is a deposition, one from which Rubens gained’t return.
What was lighthearted turns into darkish, each emotionally and visually, because the police start closing curtains in the home. The enjoyment is drained from the room, and uncertainty and concern permeate the second, all whereas the adults attempt to make it seem, for the couple’s youngsters, that all the things is regular.
The movie, primarily set in Rio de Janeiro within the Nineteen Seventies, relies on a 2015 memoir by Marcelo Rubens Paiva, the son of Rubens. Narrating this sequence, the director Walter Salles mentioned switching the digicam from a static place to hand-held in the meanwhile the officers enter the scene. He mentioned, “the digicam relays the instability of the state of affairs, pulsing with the characters.”
In the course of the tense sequence, one of many couple’s daughters, Nalu (Barbara Luz), enters the home and goes upstairs to speak to her father as he’s getting dressed to depart the house for what Nalu doesn’t know would be the final time. Salles referred to as it “a significant scene,” and mentioned that it was “staged as the true Nalu informed me it occurred.”
Towards the tip of the sequence, we see Eunice in close-up as she stands within the doorway to see Rubens off. Salles mentioned that it’s “the primary of the one two close-ups in your complete movie. We saved it for the final look between Rubens and Eunice.”
Learn the “I’m Nonetheless Right here” assessment.
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