Berlin metropolis officers introduced Friday that the theater maker Matthias Lilienthal would take over management of the Volksbühne, one in every of Europe’s most influential playhouses.
Lilienthal is a longtime determine in German theater, having beforehand led main establishments in Berlin and Munich. He’s set to take up the position in 2026, with a contract till 2031.
At a information convention, Lilienthal introduced plans to broaden the theater’s dance providing. He additionally stated he deliberate to function a slate of works by worldwide administrators — a choice he described as “a aware resistance” to rising nationalism in Germany.
“Hopefully it’s a joyful resistance,” he added.
Many theater lovers are hoping that Lilienthal’s appointment marks the top of a chronic interval of turmoil on the Volksbühne, which has lengthy been identified for its formally daring and politically provocative works. However in recent times, the theater has been stricken by scandal and tragedy, in addition to vicious conflicts about its inventive course which have mirrored broader debates about Berlin’s identification.
Lilienthal is not any stranger to the Volksbühne. He served as its chief dramaturg within the Nineteen Nineties, when it was led by Frank Castorf, a towering determine in German theater. It was Castorf, the Volksbühne’s director from 1992 to 2017, who put the playhouse on the worldwide map and established its repute for high-minded, no-holds-barred efficiency.
Castorf, who grew up within the former East Germany, drew widespread approval for his Marxist transforming of literary classics like “The Brothers Karamazov” and “The Grasp Builder,” which might last as long as seven hours.
The theater has cycled via administrators since Castorf left in 2017. His successor, Chris Dercon, a former director of the Tate Trendy museum in London, drew scorn from many within the German theater world after he refocused the Volksbühne away from in-house works carried out by a workers ensemble and towards visiting worldwide productions.
For a lot of observers, Dercon’s resolution was a betrayal of the theater’s political roots and a flashpoint for a broader debate about tips on how to protect Berlin’s countercultural ethos within the face of gentrification and globalization.
Critics and activists complained that Dercon was turning the Volksbühne right into a theater geared towards vacationers, and the battle grew so heated that feces have been left in entrance of Dercon’s workplace door. At one level, activists occupied the playhouse for days.
Dercon resigned after solely six months, however the turbulence on the theater has continued. Klaus Dörr, the theater’s subsequent director, resigned in 2021 after feminine co-workers accused him of sexual misconduct, together with claims of inappropriate touching and textual content messages. In his departure assertion, Dörr stated: “I take full accountability for the accusations towards me.”
René Pollesch, Dörr’s successor, died unexpectedly in February. Pollesch, a revered playwright and longtime affiliate of Castorf’s, had drawn reward for his democratic strategy to the job. Writing in Die Zeit newspaper, the critic Peter Kümmel argued that Pollesch had “managed to make the Volksbühne engaging to audiences once more.”
Pollesch was applauded for a lot of of his inventive selections, together with signing a take care of Florentina Holzinger — a high-profile Austrian efficiency artist identified for creating outrageous spectacles that includes bare performers — to create authentic works for the theater. (Considered one of Holzinger’s items, “Tanz” has a brief run on the Skirball Middle in New York subsequent week.)
At Friday’s information convention, Berlin’s tradition senator, Joe Chialo, introduced that Holzinger could have a proper advisory position on the theater, along with the Cape Verdean choreographer Marlene Monteiro Freitas.
Lilienthal additionally inherits some sensible challenges. Berlin’s authorities carried out drastic cuts in January, slashing 130 million euros, round $135 million, from the municipal tradition finances. The cuts have left a €2-million hole within the Volksbühne finances and this week the theater introduced it will to chop one manufacturing set to premiere this 12 months and one other within the subsequent season.
“I strongly disapprove of the lower within the Volksbühne’s finances,” Lilienthal instructed reporters on Friday. “We are going to see what the following 5 years carry.”